TXI own struggle ago Grandmothers of Plaza de Mayo and builds himself as a necessary theater as a bridge of love that the voices of theater with the audience.
Teatroxlaidentidad (TXI) born in the deep urge to articulate legitimate defense mechanisms against the brutality and horror that mean the crime of misappropriation babies and children and the replacement of their identities in an organized and systematic by the military dictatorship. Crime still continues.
The search for identity involves society as a whole. If genocide and the systematic appropriation of children by the state terrorism formed a big social problem, a reflection on its consequences are also made to involve the entire society. To do this, it is essential to build our individual identity of the dialogue without excluding people with their stories, families and stolen names.
Teatroxlaidentidad Rosario was formed in early 2006 from the interest of a group of local artists to collaborate with the struggle carries on, for more than 30 years, the Grandmothers of Plaza de Mayo, with main objective of assisting in the meeting more than 400 grandchildren who are still with their identities adulterated.
On 23 October the same year, an event was held at the Center of Contemporary Expressions (CEC), which was released the group's proposal and celebrated the 29th anniversary of Grandmothers. There
presented the book "Gates of the Gorge" - Analía Spina, in which Daniel acted Covacevich, Romina Bozzini, Marcos Ramos and Analia Spina. It was directed by Claudio Piccinini and was accompanied by live music - Florence Martinucci on cello, guitar and Cristian Wardoloff Leandro Silva on percussion. It also conducted a reading of monologues inspired by the testimonies collected by the Grandmothers biographical file. The same were made by Julian Sansarricq, Paula Marcela Espindola and Sadin
The search for identity involves society as a whole. If genocide and the systematic appropriation of children by the state terrorism formed a big social problem, a reflection on its consequences are also made to involve the entire society. To do this, it is essential to build our individual identity of the dialogue without excluding people with their stories, families and stolen names.
Teatroxlaidentidad Rosario was formed in early 2006 from the interest of a group of local artists to collaborate with the struggle carries on, for more than 30 years, the Grandmothers of Plaza de Mayo, with main objective of assisting in the meeting more than 400 grandchildren who are still with their identities adulterated.
On 23 October the same year, an event was held at the Center of Contemporary Expressions (CEC), which was released the group's proposal and celebrated the 29th anniversary of Grandmothers. There
presented the book "Gates of the Gorge" - Analía Spina, in which Daniel acted Covacevich, Romina Bozzini, Marcos Ramos and Analia Spina. It was directed by Claudio Piccinini and was accompanied by live music - Florence Martinucci on cello, guitar and Cristian Wardoloff Leandro Silva on percussion. It also conducted a reading of monologues inspired by the testimonies collected by the Grandmothers biographical file. The same were made by Julian Sansarricq, Paula Marcela Espindola and Sadin
First release
Rosario12
2006
2007
second year of theater for Identity in Rosario
Impact ...
Rosario 12
Music and Theatre by Granny
Various art forms today and tomorrow join the celebrations for the 29 years of conformation of the Grandmothers of Plaza de Mayo. The intention is to reflect on the actions of the dictatorship, the systematic appropriation of children and promote the search for identity.
By Edgardo Pérez Castillo
Six years after the development of the project in Buenos Aires, Teatroxlaidentidad (TXI) had its first edition in Rosario in October 2006. And it was not randomly selected a date for installing the cycle in the city, thinking done as a tribute to the 29 years of the formation of the Grandmothers of Plaza de Mayo, a commemoration that meet the expectations of its organizers. Those same as this weekend the second edition will be reflected local ITx, which is beginning to glimpse the growth of a project conceived originally intended to reflect on the actions of the dictatorship and systematic appropriation of children, pointing also to encourage the search for identity. In this context, various activities will be held today from 18 in the Civic Plaza (San Lorenzo 1949), to continue tomorrow at 17 at the Warehouse 11, Sargento Cabral and river. Ivan
Fina, representative of the Grandmothers of Plaza de Mayo in Rosario, highlighted the growth
Rado log in this second version of ITx in the city: "Last year we achieved the goals because the turnout was small, according to the possibilities but the response was enormous. This year we made a bigger effort, we have more help and also adds to what we are celebrations for the 30th anniversary of the formation of the Grandmothers of Plaza de Mayo. A little issue is to continue installing, but also thanks to the Grandmothers. And the other goal is that someone might be listening, witnessing the works and is a way to reconnect with their history. "
Fina said that" expectations remain the same as ever, that the project is known, you get closer people and that this could grow more. "Claudio Piccinini, responsible for the artistic coordination of the meeting, distinguished:" We depend on the Grandmothers of Plaza de Mayo, that by the end of the year will have their own place. Now his office is on the Human Rights Secretariat, but the idea is to have a proper place and function in that space ITx. Also from this year we connect with many people who assisted in the organization, perhaps ITx start doing other things. Always keeping the meeting on the anniversary date of the Grandmothers, in connection with the search for identity, beyond anything else that might arise. Because, for example, think about coordinating a program with the Association of Independent Rosario playwrights.
This weekend project for the Identity Theatre will have its second experience, in which growth is translated into programming. Opening reach 18 in the Civic Plaza, space that half an hour later, there will be a musical segment of the group by Aura tango, folklore Fire seed and urban music of Pavlo Read. After presenting some excerpts from the work black Pena ... Tierra Verde, Victoria by Garay and Mauro De Gerolamo, the music continues with performances by Cecilia Giménez (which will be accompanied by Victoria Virgolini and Cristian Loza), Cristian Vega Trio and Alejandro Manzur. From
20, Buenos Aires TeatroxlaIdentidad group will stage his play My name is Anabel Valencia, which will give way to the projection of videos in the country I do not remember (Paul Rodriguez animation Jauregui), institutional on Information Services of Santa Fe Province by the Provincial School of Film and Television and Argentinología, Sebastian Cicutti animation. The band grooves and staging of Who Killed Rudolph? 45 Theatre Group closed the first day, which will include an exhibition of works on memory and identity made by various artists.
Tomorrow, meanwhile, will shed 11 to 17 with cigarette 43, a work by the group Fet a ma and directing Graciela Casanova. An hour later screened The Eternauta, video-documentary on the life of Hector Oesterheld Germain, the remarkable writer disappeared during the dictatorship. From the 19 will alternate live music with video projections. In this context, the bands that will take the stage at Sargento Cabral and Rio Tinto will Ajo, Apex, Pink Flamingos, Julio Franchi, Mr. Madruga, Las Viejas, and Rosario cornalitos Smowing, in what will be the end of a meeting The Paridera joined as co-organizer group.
Fina, representative of the Grandmothers of Plaza de Mayo in Rosario, highlighted the growth
Rado log in this second version of ITx in the city: "Last year we achieved the goals because the turnout was small, according to the possibilities but the response was enormous. This year we made a bigger effort, we have more help and also adds to what we are celebrations for the 30th anniversary of the formation of the Grandmothers of Plaza de Mayo. A little issue is to continue installing, but also thanks to the Grandmothers. And the other goal is that someone might be listening, witnessing the works and is a way to reconnect with their history. "Fina said that" expectations remain the same as ever, that the project is known, you get closer people and that this could grow more. "Claudio Piccinini, responsible for the artistic coordination of the meeting, distinguished:" We depend on the Grandmothers of Plaza de Mayo, that by the end of the year will have their own place. Now his office is on the Human Rights Secretariat, but the idea is to have a proper place and function in that space ITx. Also from this year we connect with many people who assisted in the organization, perhaps ITx start doing other things. Always keeping the meeting on the anniversary date of the Grandmothers, in connection with the search for identity, beyond anything else that might arise. Because, for example, think about coordinating a program with the Association of Independent Rosario playwrights.
This weekend project for the Identity Theatre will have its second experience, in which growth is translated into programming. Opening reach 18 in the Civic Plaza, space that half an hour later, there will be a musical segment of the group by Aura tango, folklore Fire seed and urban music of Pavlo Read. After presenting some excerpts from the work black Pena ... Tierra Verde, Victoria by Garay and Mauro De Gerolamo, the music continues with performances by Cecilia Giménez (which will be accompanied by Victoria Virgolini and Cristian Loza), Cristian Vega Trio and Alejandro Manzur. From
20, Buenos Aires TeatroxlaIdentidad group will stage his play My name is Anabel Valencia, which will give way to the projection of videos in the country I do not remember (Paul Rodriguez animation Jauregui), institutional on Information Services of Santa Fe Province by the Provincial School of Film and Television and Argentinología, Sebastian Cicutti animation. The band grooves and staging of Who Killed Rudolph? 45 Theatre Group closed the first day, which will include an exhibition of works on memory and identity made by various artists.
Tomorrow, meanwhile, will shed 11 to 17 with cigarette 43, a work by the group Fet a ma and directing Graciela Casanova. An hour later screened The Eternauta, video-documentary on the life of Hector Oesterheld Germain, the remarkable writer disappeared during the dictatorship. From the 19 will alternate live music with video projections. In this context, the bands that will take the stage at Sargento Cabral and Rio Tinto will Ajo, Apex, Pink Flamingos, Julio Franchi, Mr. Madruga, Las Viejas, and Rosario cornalitos Smowing, in what will be the end of a meeting The Paridera joined as co-organizer group.
Third cycle
2008
Impact ...
Capital
identity between Friday and next Sunday at the Teatro La Comedia (Mitre and cut Ricardao) will be held the Third Meeting Rosario Theater for Identity, organized by Teatroxlaidentidad, Grandmothers of Plaza de Mayo, Memorial Museum and the Ministry of Culture and Education City.
On Friday, at 19, will read testimonies Grandmothers file by Juan Pablo Geretto, Maria del Carmen Sojo and Quico Saggini. Then there will be a discussion with Jorge Dubatti, Emilio Bellon and Aldo Pricco and will take the stage a race of ponies, Patricia Zangaro, starring Victoria Garay.
On Saturday, at 19, there will be a discussion with Marcelo Camacho, TV writer's identity; Monica Scaparone, actress Cecilia Propato, playwright and Jorge Villegas, director of theater. At 21 is present Portrait of an Invisible Man, with Fernando Berreta and direction of Jorge Villegas.
On Sunday, he will, at 20, As of Chou, with Catherine and Max Cho Chung and Cecilia Propato address. At 21, the closure will be in charge of Ivan Fina and provide testimony Victoria Torres, a granddaughter recovered.
Rosario 12
CULTURE / ENTERTAINMENT > THIRD MEETING OF THE ROSARY TXI CYCLE IN THE COMEDY
From the past to the future starts tomorrow
the activity organized by Grandmothers Plaza de Mayo and the city, with a work of Rosario as a race of ponies, with Victoria Garay. Proposals will also be close to Buenos Aires and a granddaughter recovered. Organized by Teatroxlaidentidad
, Grandmothers of Plaza de Mayo, Memorial Museum and Performing Arts Department of the Ministry of Culture and Education municipal, tomorrow starts the "Third Enc
Theatre uentro Rosario for Identity." Designed as a tool to assist in the construction of historical memory, the cycle will run until Sunday at the Comedy Theatre and Cut Mitre Ricardao (see box), including the presentation of works and the realization of which will have the debate tables actors artists who hold an ideological and political commitment to cooperate with the work carried out by the Grandmothers of Plaza de Mayo.
Claudia Piccinini, a member of the organizing committee for the Museum of Memory and ITx Rosario, said the endorsement made in this third edition from work conjunction with the Area of \u200b\u200bPerforming Arts and the museum led by Rubén Chabab. "The support from these two areas of the Ministry of Culture was important because it gives us the ability to move differently," he stressed, while noting: "It remains, however, as a very strong year, especially this year . I think it also has to do with the Grandmothers of Plaza de Mayo de Rosario is working with a shoestring budget, and it becomes necessary that while we are part of the Grandmothers, Teatro x Identity has its own budget. Everything is doing takes effort people that support it. "
In this regard, and regarding the future of the project Piccinini said that "it is very important from Granny can build another space, so it is not a question of an annual event that can work during the year on other issues, to work more consistently on identity, memory and history. "
organizer remarked: "This is the third year that we work with the game, but we are eager to grow in other areas that have more to do with the everyday, to make every day, and appear to relate, not only an annual event. "
This new edition, meanwhile, had a selector shaft in the recovery of identity: "In principle, although the main objective Grandmothers' has to do with the recovery of the grandchildren, they themselves are working every day on the identity, which is much wider. It has to do with the identity of your neighborhood, your city, your country, everything that makes not only the historical but also the way to rebuild or build your life. In tone it is working. And what of the theater, like movies, music and artistic expression generally, is that it falls into the merely descriptive, or merely to count or recount what happened, but from the signs of language enriches it puts into question and so valued. The artistic language gives you many possibilities, which is what that concerns us. "
" Initially we were interested in the variety - added the organizer -. Garay Rosario works by Victoria, with a race of ponies Patricia Zangaro, a work that was selected by Teatroxlaidentidad. Jorge Villegas also, that although not directly in ITx, it works on a project called Trial, and has to do with the recovery of some cases, in principle, approached from the courts, they have to do with people involved at the time of the dictatorship. "
The proposal includes works of Buenos Aires." Cecilia brings Propato As Chou, who was awarded and published by ITx. What we are trying to articulate is that people also could account for its work. For example, Marcelo Camacho comes from Buenos Aires to discuss Montecristo, or Aldo Pricco, who worked like Trojans and coordinate all their work to this subject. And another thing is that we are not only past but also of present and future. All this is articulated and has to do with the projects as they respond to political, economic, social. That is the importance of the potential recovery of the boys, and this is known.
CULTURE / ENTERTAINMENT > THIRD MEETING OF THE ROSARY TXI CYCLE IN THE COMEDY
From the past to the future starts tomorrow
the activity organized by Grandmothers Plaza de Mayo and the city, with a work of Rosario as a race of ponies, with Victoria Garay. Proposals will also be close to Buenos Aires and a granddaughter recovered. Organized by Teatroxlaidentidad
, Grandmothers of Plaza de Mayo, Memorial Museum and Performing Arts Department of the Ministry of Culture and Education municipal, tomorrow starts the "Third Enc
Theatre uentro Rosario for Identity." Designed as a tool to assist in the construction of historical memory, the cycle will run until Sunday at the Comedy Theatre and Cut Mitre Ricardao (see box), including the presentation of works and the realization of which will have the debate tables actors artists who hold an ideological and political commitment to cooperate with the work carried out by the Grandmothers of Plaza de Mayo. Claudia Piccinini, a member of the organizing committee for the Museum of Memory and ITx Rosario, said the endorsement made in this third edition from work conjunction with the Area of \u200b\u200bPerforming Arts and the museum led by Rubén Chabab. "The support from these two areas of the Ministry of Culture was important because it gives us the ability to move differently," he stressed, while noting: "It remains, however, as a very strong year, especially this year . I think it also has to do with the Grandmothers of Plaza de Mayo de Rosario is working with a shoestring budget, and it becomes necessary that while we are part of the Grandmothers, Teatro x Identity has its own budget. Everything is doing takes effort people that support it. "
In this regard, and regarding the future of the project Piccinini said that "it is very important from Granny can build another space, so it is not a question of an annual event that can work during the year on other issues, to work more consistently on identity, memory and history. "
organizer remarked: "This is the third year that we work with the game, but we are eager to grow in other areas that have more to do with the everyday, to make every day, and appear to relate, not only an annual event. "
This new edition, meanwhile, had a selector shaft in the recovery of identity: "In principle, although the main objective Grandmothers' has to do with the recovery of the grandchildren, they themselves are working every day on the identity, which is much wider. It has to do with the identity of your neighborhood, your city, your country, everything that makes not only the historical but also the way to rebuild or build your life. In tone it is working. And what of the theater, like movies, music and artistic expression generally, is that it falls into the merely descriptive, or merely to count or recount what happened, but from the signs of language enriches it puts into question and so valued. The artistic language gives you many possibilities, which is what that concerns us. "
" Initially we were interested in the variety - added the organizer -. Garay Rosario works by Victoria, with a race of ponies Patricia Zangaro, a work that was selected by Teatroxlaidentidad. Jorge Villegas also, that although not directly in ITx, it works on a project called Trial, and has to do with the recovery of some cases, in principle, approached from the courts, they have to do with people involved at the time of the dictatorship. "
The proposal includes works of Buenos Aires." Cecilia brings Propato As Chou, who was awarded and published by ITx. What we are trying to articulate is that people also could account for its work. For example, Marcelo Camacho comes from Buenos Aires to discuss Montecristo, or Aldo Pricco, who worked like Trojans and coordinate all their work to this subject. And another thing is that we are not only past but also of present and future. All this is articulated and has to do with the projects as they respond to political, economic, social. That is the importance of the potential recovery of the boys, and this is known.
Rosario 12
Among eastern nostalgia
Today at 20 at the Teatro La Comedia and the programming framework of a new edition of "Theatre for identity" will be presented the play "As Chou, written and directed by the filmmaker Cecilia Propato Buenos Aires.
By Julio Cejas
This book is set in the seventies in Argentina, and everything happens in inside the dry cleaners where she lives and works a marriage Chinese. Tzu Li misses his home country and believes his inability to be a mother is related to the land they inhabit but which is not integrated. According to this woman author "misses the yellow of his country, while her husband, Chou Tzu insists that the sky is blue everywhere, although in Argentina the streets will be stained red." Chou Tzu-Li does not let the memories alive Tzu, is convinced that in this new country can envision a prosperous economic future and peace of mind that they had in China. But the discovery of a photograph of a pregnant woman in the sack of a face generally leads to the daily violence and dive into the reality that surroundings.
Another feature of this proposal is that the work is spoken entirely in Korean, and subtitling in Castilian, represents Propato, "the effort of wanting to understand the alien"
The stage is characterized with a minimalist aesthetic, which includes a screen on which are projected slides with the dialogues of the characters. Cecilia
Propato, Rosario frequent visitor since the time dictated Playwriting Workshop at the Center of Contemporary Expressions under the project "out of Rojas Rojas," is also the author of the book "Romancito" you just rerun the Romagnoli director Carlos Rosario.
Propato who was also present in this city on the occasion to premiere his work at La Escalera, Rosario/12 told that "Romancito can enter into the political theater but no complaints because I work with the default system, never named the missing word is a peripheral reporting work, I choose to tell it from another location rather than a specific place. Do not tackle it from the complaint, a la Brecht, but from otherness, from the absurd, I like working with the extreme situation of something that is on the verge degradation, with the idea of \u200b\u200ba parallel world in reality. "
"As Chou" as well as participate and be rewarded in Cycle Teatroxlaidentidad 2004, was part of the event: "Different Latitudes: Sema small-format theater "and" Experiences in stage 2006. "
In today's work can be seen at Teatro La Comedia, the lighting is ambient, non-theatrical and costume according to the author" is not combined in himself contrast, but by association. "Another management decision is the absence of music for the purpose of working with sound and silence as the sound itself caused by the passage of the slides as if they mark the rhythm of the work.
Starring Catherine Cho composed and Max Chung, scenery and lighting design is the responsibility of Gabriel Caputo, costume design is Zuvialde Cecilia and the choreography was designed by Viviana Iasparra.
The "3rd Meeting of Theater for Identity Rosario" organized by Grandmothers of Plaza de Mayo, the Museum of Memory and the Department of Performing Arts of the Ministry of Culture and Education City, was among its programming with input from other prominent theater director, the Cordoba Jorge Villegas. (See separate article)
During the meeting which began on Friday projected a clip of Bersuit, over the grandkids recovered and the attendees could be found in the lobby with various news programs on TXI, Grandmothers of Plaza de Mayo and Exhibition artists "Identity", in relation to the subject.
