Monday, December 21, 2009

Dress Shop Cover Letter

THEATRE


TEATROXLAIDENTIDAD conforms itself as a charity organization, absolutely non-profit organization that seeks to serve the cause of the Grandmothers of Plaza de Mayo and the restitution of their grandchildren, with identities distorted since the last military dictatorship, the power of theater and communication skills of dramatic moment. And while trying to find an identity of theater company committed to its membership through their art. That is why the cycle is an event with free admission to configure an event whose massive help reach as many youth as possible. This same sense of solidarity are for tender whose purpose is not competition, because their results will always be unavoidably subjective, but to enable the event itself. The challenge for 2010 is to reopen this call and continue working to reach many more viewers and expand the scope of the cycle. The purpose is to grow in artistic quality means to grow in the message transmitting power and possibilities of recovery for their grandchildren. TXIROSARIO intends to continue working to prove that it is possible to link the ties between the past and the chance to walk the paths of truth and justice. TEATROXLAIDENTIDAD continue multiplying your homework until the last of the 400 youth that still remain to be found, know your true identity.

Friday, December 18, 2009

What Does A Ringworm Look Like When It Is Healing

ROSARIO X IDENTITY BASES FOR THE CONTEST


TEATROXLAIDENTIDAD ROSARIO 2010 cycle will consist of 4 works arising from the second THEATRICAL DESIGN CONTEST. These will be selected by a selection committee composed of renowned playwrights, through the mechanism described below. The call is limited to the area and SANTA FE ROSARIO.

These works should not exceed 40 minutes, without any restriction on its minimum. The term refers to the net time the show ended.

The theme will be about identity directly (ie on the issue of the abduction of children during the military dictatorship) or indirectly (ie to speak of identity more generally), leaving to the discretion of jury its relevance to the cycle.

The shows will be simple in its technical solution, (scenery, objects, and dismantling) and to be sharing space with other shows that they are intended. So its assembly and disassembly must not exceed 10 minutes

The presentation will be made by mail, and paper-PRESENTATION MUST BE BOTH FORMATS.

A: PAPER

The texts will be submitted in triplicate, in letter or A4 paper, written to one side only and will be signed with a pseudonym.
In the first envelope marked:
the dramatic text (the name of the Work and signed with a pseudonym).
the artistic, (At least one sheet, prepared by the director and signed with the same pseudonym).

In a second separate sealed envelope will be completed PROJECT SUBMISSION FORM. It should list:
Data AUTHOR: name, address, telephone and email address.
Name, complete data and REPRESENTATIVE DIRECTOR OF PRODUCTION.
list of actors participating in the project. List
who will cover the various technical areas.
brief CVs of all members of the project.
SCENIC MOTION: Motion In stating the scenery to time mounted and dismounted the stage, list of objects to be used and plant lights and sound.
Outside of this envelope should bear the title of the Work and the chosen pseudonym.

The call is open from Monday December 21, 2009 until Monday May 31, 2010 inclusive.

Works Reception will be held in Rosario subsidiary of Grandmothers of Plaza de Mayo: Laprida 563 Disc: C, on Monday, Wednesday and Friday from 10am to 13.30, from 1 February 2010 to 31 May 2010 inclusive.

B: BY MAIL:

Only the theatrical text and the artistic, from 1 February 2010 to May 31, 2010 inclusive; the mail:
txirosario@gmail.com , and the mail: educamemoria@rosario.gov.ar

The work is entered under a pseudonym and the date of writing.
worth noting here that such work should not have been released previously.

SELECTION PROCESS

will take into account the dramatic text and the artistic, as a starting point in the first instance of the selection of the project through the opening of the first envelope, where the winning entries will be selected.

There are 4 Works to select, but the contest may be declared (although not desirable) desert.

Once selected to serve on the 4 Cycle Works will open the second envelope with the submission form where you can learn the names of members of each of the selected theater projects.

Each author may submit (with different pseudonym) more than one work, but if selected two or more works by the same author, the judges will select ONLY ONE of them. The same criterion will be taken to the Director. As for the actors and other technical areas, to participate an actor in two or more projects, suggest that appropriate replacements are made for each person to participate in only ONE show. Works must

be original and have not been represented in any way, and should not have been awarded prize or contest prior to the closing date of the contest.

works should not necessarily have been written especially for the cycle, but the fact that it is a specific material will be taken by the jury as something important in the selection, with the spirit of this decision to avoid work that have already been commercially released or transcendence in the middle.

not be chosen works by members of the reading committee.
not be chosen projects which have members of the selection committee in any field.

The working group should be able to carry out the project on a self-managed; TEATROXLAIDENTIDAD ROSARIO conjunction with the Museum of Memory and Performing Arts area of \u200b\u200bthe Municipality of Rosario, Teatro guarantee rooms or areas where they represent the works, a rehearsal space in the press and broadcasting the event (posters, flyers, programs and facilities).

The Executive Producer will work in the commission of TXI production. It is a condition sine qua non the presence and participation of the executive responsible for production in production meetings. This charge can not be rotating and requires no knowledge or previous experience. Each selected project will be in contact with TXI through a Contact Commission during the tests until the premiere.

The selected works will be represented only in the cycle for the duration. After the end of it, each work belongs only to the author or the group that represents, as decided by each group.

functions are free, receiving no cachet whatsoever any of the members of the cast or the organizing committee, as the authors of the winning entries give up their rights without receiving any amount for the performances of the work during the cycle TEATROXLAIDENTIDAD.

Selected works participate in the event that TEATROXLAIDENTIDAD ROSARIO held during the month of October. TEATROXLAIDENTIDAD Organising Committee designated by the area where the works represented.

Selected works may be called by Grandmothers of Plaza de Mayo Rosario to participate in various activities, which performs the branch here in the city and its surroundings, namely: talks / discussions in schools, districts, or any other event where the contribution is considered important in theater as an essential tool in the search for the grandchildren removed by the last military dictatorship.

form the cycle, in addition to the works that come out of this contest, other shows to be a "guest" or made to order for the organizing committee of prominent personalities theatrical activities.

Results are posted on the blog TXIROSARIO: www.txirosario.blogspot.com, on the official website of the Grandmothers of Plaza de Mayo:
www.abuelas.org.ar , as well as the following official sites: www.teatroxlaidentidad.net , www.rosario.gov.ar and www.museodelamemoria.gov.ar .

publication date Winners will be Monday June 14, 2010, leaving about four months for testing.

Submission Form THEATRICAL DESIGN CONTEST TEATROXLAIDENTIDAD

ROSARIO 2010 Project Name:



Director Name:
Phone / s:
E-mail:
Address:


Author Name:
Phone / s:
E-mail:
Address:


Production Manager Name:
Phone / s:
E-mail:
Address:


other members know that the members of the following items may vary as far commitments arising from them, but at least 50% of the names must be entered in the final show. The phone number is asked for the jury to possibly confirm the intention to participate by telephone by participants.



Name Phone


E-mail:

Set

Costume



Music Management Assistant

Actors

Other


Production Proposal:

Signed by the Production Manager: Attached at this point the proposed scenic, costume, time mounted and dismounted the stage, list of objects to be used and plant lights and sound.


BE ATTACHED: BRIEF RESUMES OF EACH MEMBER OF PROJECT

Signature of Director:


Author Signature: Signature


Production Manager:

Friday, October 9, 2009

Fishing Pole Backpacking

EAT IS LIVE, start of new season

this week issued the first program of this new season. Will be on Saturday 10th October at 9am.
The program change their transmission, and expands its contents, so we reached one hour full of radio-plays, interviews and news, all mixed with information and humor.
EAT IS LIVING is a program sponsored by the Consumer Institute Extremadura, produced by TAPTC? THEATRE.
For our rights as consumers in a clear and fun.

can be heard every Saturday, from 9 to 10 am at Canal Extremadura Radio , or you can listen to the podcast here .

artistic and technical specs:

Written and directed by Javier Llanos
Introduction and coordination: Raquel Spleen
Kika is Paqui
Aurora Gallardo is Beli
Thomas Cienfuegos Javier Llanos

Ear Infection No Pain

HOST, on the Day of the Elderly

occasion of the celebration of the Week Senior Home Senior Calvary Merida, TEATRO MUNICIPAL SCHOOL OF MERIDA represented for them their version of HOST, with great success and well received by the audience that I enjoy the facets of this character.

This representation fits into the EM ™ activities, led by TAPTC? THEATRE, conducted in collaboration with other entities or organizations to enrich the cultural life of the city of Merida.

A view from the audience.

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Cuéntame Europe, Mérida

On 1 October, was held at the Youth House in Merida, Cuéntame Europe.
Attended by over 60 students from the Escuela Taller de Mérida, accompanied by their teachers, and participated actively and positively in all the activities planned.

Saturday, October 3, 2009

Best Tasting Mre Meals

OPEN ENROLLMENT PERIOD School Teatro Municipal de Mérida


On Monday October 5 opens the registration period for TEATRO MUNICIPAL SCHOOL OF MERIDA. Directed by
TAPTC? THEATRE and Organized by Department of Culture of the City of Merida

If you are interested or concerned and you have more than 6 years, just a phone call September 14, 1951 or 659 629 840 048
or put a escuelamunicipalteatromerida mail @ gmail . com with your name, age and phone number and we will contact you.

The formation of groups and times will be announced according to demand and needs of the participants.

Tuesday, August 25, 2009

Mobile Alcohol Licence

Myths Garden in Garden

also represented outdoors last July, within the Network of Theatres of Extremadura, in the courtyard of the castle of Olivenza. Much
both groups of children, as an adult companion, who laughed and enjoyed our stories.

press release appeared on the website of the City Council Olivenza.

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Olivenza Mythos, in Higuera la Real

has been shown last July, within the Network of Theatres of Extremadura, in a unique space: the Jesuit cloister.
Great crowds and everybody spent a fun night with characters from GARDEN OF MYTHS.
image
Senate, I have no function in it.

Wednesday, July 29, 2009

Flutter In Upper Left Abdomen

BY THE FORUM. Pot Comedy

Today Wednesday ending the performances scheduled in the portico of the Forum with "Aulularia: The Comedy of the Pot "by Plautus, a group show Adult School
Municipal Theatre of Merida, led by Javier Llanos.
After the excellent performance of its premiere on Monday 27 July, it was necessary to add 50 seats representation during the day to accommodate the public interested in attending.
NOTE: training workshop continues the Youth, which ends on Friday 31 to 13h with the story - MYTHS.

Today is the last chance to enjoy a magical evening at the Roman Forum in Merida.

Image: Diego Casillas

Saturday, July 25, 2009

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EAT IS LIVING, BANKING

today issued the last show of the season to consume is to live, at 13h, in Canal Extremadura Radio.

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HOST. HOST

HOST The three sessions were to become successful four before the public. Tickets were sold out three days and it was necessary to double the night of July 23, so that nobody ran out to see the version that has made the SET HOST comedy of Plautus.

Tuesday, July 21, 2009

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hit by the

TAPTC? SCHOOL DRAMA and THEATRE MUNICIPAL DE MERIDA (EM ™)
invite you to the representation of Amphitryon, by Plautus,
to be held on Tuesday 21, tomorrow 22 and Thursday, July 23, 2009,
at nightfall (a after 21h)
in GATE FORUM
(C / Sagasta of Merida)

this production is directed by Rachel SPLEEN
and actors and actresses who participate are members of the SET
(Theatrical Emergency Service) of the EMTM

Admission is free until full capacity (100 seats)
invitations can be removed in the CC Alcazaba de Mérida, order them by replying to this message or
function directly on the door of the Forum (which is always one) is a comedy
suitable
for all audiences.


THE FORUM is an initiative of TAPTC? THEATRE, produced by the Delegation of Culture Hon. Municipality of Mérida and the Roman Urbes program INTERREG. Collaborate
Teatro Municipal School of Merida and the Consortium of the Monumental City of Merida

Saturday, July 18, 2009

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FORUM

The program on Saturday spoke of SES

spoke Lorena Plata Consumer Technical Institute of Extremadura. Consumer electronics

is Living:

Writer / Director: Javier Llanos

Starring: Raquel Spleen, Paqui Gallardo, Javier Llanos Beli
Cienfuegos and
Production: TAPTC? THEATRE, sc

Sponsored by: Institute Consumer Extremadura.


Saturday, July 18, 2009, at 13h in Canal Extremadura Radio

Monday, July 13, 2009

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THEATRICAL RELEASE

In the city of Rosario, the thirteenth day of July, two thousand nine, being 10:00 am,
Competition Jury Theatre Project Theatre Of Identity composed Liliana Gioia, Aldo Pricco, Miguel Passarini and Walter Operto and the representatives of the organizing institutions, Romina Bozzini, by Grandmothers of Plaza de Mayo , Viviana Nardoni, by Memorial Museum , Cristina Carozza, by Arts and Claudia Piccinini, by Theater for Identity , acting unanimously : 1) select and advise for its mise en scene for the 17th and October 18th, 2009 at Center of Contemporary Expressions Rosario without his statement implies an order of merit, the following plays: "The Dead" by Leonel Giacometto, "That girl ... What happened?" Juan Pablo Giordano, "Dog Man" by Edgardo Ferrero and "patina" Veronica Matos. 2) Recommend the publication of the works mentioned.

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BY THE FORUM.

Open Enrolment for the workshops to be developed within the activities organized FORUM.

If you are interested contact TAPTC? THEATRE tres@taptcteatro.com or phone call 629 840 048.

Do not miss, and if you have any doubt the resolve.

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workshops

has been filed by the Forum, an initiative of TAPTC? SCHOOL DRAMA and THEATRE MUNICIPAL DE MERIDA.
is a project of HE. CITY COUNCIL MERIDA, which collaborates EMTM and the Consortium of the Monumental City of Merida, which enables us to use the monument as a setting for conducting workshops and stage performances that give content to the activity.

• TRAINING WORKSHOPS
training activities aimed at improving knowledge and techniques of theatrical performance as well as other educational disciplines, within a fun and participative environment. Intended to 12-16 participants per group. Sessions of 11 to 13h, Monday to Friday. We will work on content related to the Roman Forum, the Classical, Myths and their translation to the present, craftsmanship of the time, etc. Two group leaders, an animation specialist and one in theater.
Children's Workshop. 20 to 24 July.
-mounting workshop based on a classical myth.
Youth Workshop. From 27 to 31 July. New preparation techniques acting (amateur experience)
-mounting workshop based on a classical myth.

• theatrical performances. Comedies. Theatrical humor. FOR ALL THE HOST PUBLIC
, on 21,22 and 23 July
SET (Emergency Room Theatre) Escuela Municipal de Teatro de Mérida.
Leader: Raquel Spleen.
THE COMEDY OF THE POT , on 29 July 27,28 and Adult
GROUP 1. Escuela Municipal de Teatro de Mérida.
Directed by: Javier Llanos
Antigone, the third , on July 30
Different Groups of the Municipal School of Theatre of Merida.
Directed by: Javier Llanos
All performances begin at nightfall, after 9 pm.

• ANIMATION. Prior to the performance. GROUP
Adults 2. Municipal Theatre School Mérida.
Directed by: Javier Llanos - Paqui Gallardo

• MYTHS ACCOUNT. Oral Narrative Stage. (Based on the concept of traditional storytelling, they declaim the smaller, Greco-Roman myths)
Friday 24 and July 31, at 13h

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EAT THE FORUM IS LIVE, damage caused by defective products or services

The program on Saturday spoke of the damage caused by defective goods or services. Oscar spoke

Alias, manager of the Consumer Institute of Extremadura. Consumer electronics

is Living:

Writer / Director: Javier Llanos

Starring: Raquel Spleen, Paqui Gallardo Cienfuegos, Javier Llanos Beli

Production: TAPTC? THEATRE, sc

Sponsored by: Institute of Extremadura consumption.


Saturday, July 11, 2009, at 13h in Canal Extremadura Radio

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Saturday, July 4, 2009

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EAT IS LIVE. The Sale

The program on Saturday talking about The sales. Pedro spoke
Mera, Technical Institute of Extremadura consumption. Consumer electronics

is Living:

Writer / Director: Javier Llanos

Starring: Raquel Spleen, Paqui Gallardo, Cienfuegos and Beli Javier Llanos

Production: TAPTC? THEATRE, sc

Sponsored by: Institute of Extremadura consumption.


Saturday, July 4, 2009, at 13h in Canal Extremadura Radio

YOU CAN LISTEN HERE

Tuesday, June 30, 2009

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YOUTH THEATRE SHOWS

TO 21 JUNE 2009 HELD THE SECOND SAMPLE OF THEATRE MERIDA YOUTH

TAPTC? SCHOOL DRAMA and THEATRE MUNICIPAL DE MERIDA (EM ™) convened for the second consecutive year this shows that, coordinated by Raquel Spleen-TAPTC? Theater, allows to present the public the work done by some of the youth theater classes that exist in Merida, in the Grammar schools and in the EMTM
All classrooms are led by recognized professionals.
coexistence
This day began in the morning (from 11 to 13:30 h) at the headquarters of the EM ™ (New City CC) where all the participants shared their experiences and work done in common.

the afternoon, they represented their respective performances at the stage erected in the park López de Ayala, from 20h.

This year we decided to make the theater into the street, in order to bring the public the work of these young people, and promoting The idea: MERIDA-TOWN SCENE. This activity is further evidence of the importance of the performing arts in the city of Merida, not only as a place of representation, but production and carrying out of professional and amateur theater. MERIDA CITY SCENE
is a project promoted by TAPTC? THEATRE from MUNICIPAL THEATRE SCHOOL OF MERIDA.

A total of about 70 boys and girls between 12 and 18 years living and studying in Merida and spend part of their time to build worlds of fantasy through the theater as they expand their knowledge and social skills. A very complete work that now want to expose to public opinion, that, ultimately, is just another motivation for all of them.

Another remarkable fact is that the direction of the various works program is responsible for various theater professionals of our city, as a good example of their commitment to the cultural revitalization of Merida.

THANKS: to the Cultural Office of the City of Merida and the IES participants, without whom it would not have been possible to hold this show.
INVOLVED:
• Teatro Municipal School of Merida. Youth Group • IES Albarregas
of Merida.
• IES Atenea in Mérida
• IES Emeritus Augusta, Merida
The IES Santa Eulalia, Merida did not participate this year because of problems with the date of completion of the Exhibition. We look forward to them next year.


ACTIVITIES: Day
  • theatrical Coexistence between pupils from different institutions involved.
11h. House of Culture in New City


  • plays.

20:00 pm López de Ayala Park
• IES Atenea in Mérida. Aulularia
LA's comedy pot Address: Stephen G. Ballesteros.
or fragment. Duration: 20 minutes
public or All

20:30 h. López de Ayala
Park • Municipal School of Theatre of Merida. HOST
Youth Group Director: Raquel Spleen.
or Duration: 45 minutes
public or All

21:30 h. López de Ayala Park
• IES Emerita Augusta, Merida
DREAM OF A SUMMER NIGHT. Address: Jesus Manchon.
or Length: 50 min.
public or All

22:30 h. López de Ayala Park
• IES Albarregas Merida.
Elm Street. Address: Francisco Quiros.
or Length: 50 min. Public
or juvenile and adult.

Monday, May 25, 2009

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known activity FRANCISCO:


- CONCERTS Healing and harmonization.

- Voice lessons, individual.

- Harmonic Singing Lessons, group.

- play "The Yellow Rain," by Julio Llamazares.

- Harmonic Choir.

- Didgeridoo Workshop.

- Voice Workshop.

- Countertenor and Tenor Ceremonies.

PROGRAM ACTIVITIES
on the Blog:


http://franciscolumbreras.blogspot.com

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FRANCISCO PROFESSIONAL STOCKISTS cd "SanandoSonando - HEALING MUSIC THERAPY" CD

What you can buy in stores, by mail, and Francis' own gigs.

STORES IN MADRID:

The CD "Sounding Healing - HEALING MUSIC THERAPY" is available in Madrid at the following stores:

-STORE HAPPY ALCHEMY 8
C / Sandoval n º 8,
Madrid

LIBRARY BOHINDRA
C / de la Paz n º 15
Madrid

ALMAZÁN NATURAL
C / Alcalá n º 78
Madrid

NAMASTÉ
Spa The Forest
C / El Guerrero s / n
Mataelpino "The Boalo
(Madrid)

GARDEN LIGHT
C / Antonio Acuña 14
Madrid


NATURAL WAY C / San Patricio n º 12 Madrid



MAIL:

Sending mail request to: cantosarmonicos@hotmail.com , indicating the number of units and mailing address where you want to receive the shipment. Range From receive prompts to enter the amount in bank account, and as soon as cash income, your order will be sent. You can also apply on the phone 679 545 324.

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- Content THERAPY HEALING MUSIC "

The diphone or Canto Canto Sound Harmonics is an ancient song which has the power to balance with their frequencies the cell nucleus, imprinting harmony and achieving their development and health. It is distinguished by the emission of several simultaneous sounds, with a single voice. It is considered the language of the Cosmos.

On the other hand, there are many instruments used by man since ancient times, to bring healing and spiritual elevation.

This work is a Healing Music Therapy Concert, conducted by Francisco Lumbreras, through vocal and instrumental harmonics. It has separate instruments of song, to wean their use, according to the preferences of each individual. The second sound

Canto piping diphone / Harmonic provides Francisco Lumbreras, has the privilege to create balance and bring deep cell function, also providing deep relaxation of the nervous system, lasting in time. That has been the result over the past four years, those attending the Healing Music concerts with vocal and instrumental Harmonics, conducted by the author.

Countertenor's voice using an Francisco Lumbreras in the songs of this concert seems to have been encouraged by the angels, given its level of perfection.

summarize some of the benefits of this concert, in order of appearance: *
Gongs
shaking of old, this openness to enable the static energy and immune system;
* Tubular Bells, balance 2 and 7 farms;
* Quartz Bowls, molecular restructuring of the tissues of the body;
* Shrutibox , relaxation of the system nervous
* Harmonic Chant, reconnection with the self, alignment of all chakras;
* Rain Stick, cleaning of emotions, openness to the unconscious;
* Seeds, reconductor energy ordered mental structures;
* Drum ocean , smooth breathing, balance, mental-emotional
* bowls, bells and rattles Tibetan , repositioned the subtle bodies;
* Canto female or countertenor , active imagination and visualization (6 th chakra), facilitates spiritual connection (crown chakra);
* Australian Didgeridoo , 1 chakra, energizes, connect with the Earth.



maximum effectiveness of this therapy is achieved by listening to lying or very comfortable position.

is recommended as an accompaniment to treatment activities, meditation, relaxation, training activities, mild physical activity, etc, etc. ...

If this work is copied in other acoustic systems (mp3 or similar) which do not reflect the harmonic sound, lose its effectiveness.



Recorded in Duplimatic Studies.
Photo: Liliana Pacheco, cover: Luis Lumbreras
Contact
679 545 324 Mail: cantosarmonicos@hotmail.com
Sanandosonando.blogspot.com

Monday, April 27, 2009

Pot Light Light Spread




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CRIMINAL ASSAULT IN THE 8TH STREET THEATRE FESTIVAL 2009 ZACATECAS


Tampiqueño group "Assault Theatre", directed by Angel Hernandez was present at the Eighth International Festival Street Theatre 2009, held in the City of Zacatecas, where eleven groups were selected nationwide from more than 100 proposals and which with its display of "Flood: Corner Theatre" earned rave reviews from critics the festival, as well as local and national press.
The main story This original work has its foundations in the events of Hurricane Hilda in 1955, which caused extensive damage and flooding in the port of Tampico, and it is a claim for the characters find their identity, origin, property losses and All this is done at the poles of the streets that witnessed this tragedy.
After touring all over the Gulf of Mexico that included the r ealisation a hundred performances in the exercise of the proposal, which had a presence in 41 cities in the states of Tamaulipas, Veracruz, Tabasco and Campeche with the stage work about 400 corners and power poles power in several cities.
In this edition of the festival took fourteen groups of street theater, the Theatre Group with the proposal Pan.optikum feeling the ball, Germany, Coven theater Dziú Bird, Mexico City, Corniche 20 with The Romantics, San Miguel Allende, Playful Theater & performance with Circolando, Aguascalientes, fonámbules Theatre Company with the sample between Fools and kings, of Mexico City. Laboratory Theatre
the wheel with Tloque and Nahuaque of Cuernavaca, the great march of muñecones with dreams of giants, from Peru Company Zacatecas state theater in El Llano, Los cosmic Cafe Altura, Zacatecas, Company roll, with his work cheek, of Puebla, Legion of the Legion of dwarves dwarves (the return) of the City León, Laboratory of the mask with Demons, myths and rituals Concerto, Mexico City, and finally the sample fest Studio Planet of Italy, which closed the festival with the presentations.
The proposal was roaming the streets and alleys of the City of Zacatecas, with masks, loud music that mimicked the strong winds of the cyclone, furniture hanging from the poles, balconies and street corners, where two men a woman and a girl are the stars.
this play contains no dialogue, but each character shows signs of histrionic art through body language and actions taken with the props that the actors bring along their journey as a chair, a lamp, a umbrella and a cage. Alejandro Covarruvias
Millennium-10-31-09

Saturday, April 4, 2009

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FLOODING; TOUR URBAN FLOOD 2009


Founded on the need to extend the possibilities of the theater stage, with the view experimentation and development, this event has joined the physical work of four actors driven to form a corporate identity in seclusion and the survival of a power pole in the city, language that is constructed by making use of systems based on harnesses, ropes and pulleys to create a theatrical aesthetic that culminated in the staging of "Flood, theater corner" in the year 2005.

The project, supported by the FONCA within the program's 2004-2005 Young Artists Program, has been a stage movement generated in the corners of these streets, the theatrical phenomenon rooted in the need to stand before the flood vacuum .



Ob general aim


assembly representation "Flood, theater corner" by a tour of the urban settings that include electricity poles in villages surrounding the margins of the Gulf of Mexico.


Description and justification of the project


I
Flood is a factory of absences, a story which begins desolation at the end of a devastating cyclone. It is the way of men who travel the spoils of a people claiming their origin, inhabiting the realm of a post in the highest safeguard of oblivion. It's a flood in the silence grows unseen, under the protection of the corners.


Within the development the project has experienced over two years of activity, we were interested in having a working area that can detonate at varying degrees of dramatic intensity, getting involved in the search for elements whose nature represents a critical importance in the scene.

We hit the streets to see how the world is designed by forming lines in the corners that lead us to pursue a career, but always return home same departure. We have set out to look at the posts resisting, as silent witnesses of history, multiplied and old. We went to the house dead, with broken sidewalks, cars made up with the dust of the people who travel on streets. We saw our town from below and find the need to reclaim a theater on every corner.

II
In periods of work that has understood the exercise stage of the project, have proved to intensity contributions from other languages \u200b\u200bnot covered in the original plot of staging the Teacher initially carried out by Angel Hernandez and given to the continuity for us, members of Assault theater.

Thus, we have engaged in a process of enrichment for the assembly, focusing on open spaces in neglect, they can get to accommodate the nature of the proposal stage. That was how we finally found an old industrial island, surrounded by the river in the lower areas of the port of Tampico, whose fate after being affected by the flooding of fifty-five, was to be dressed in ruins, turned into a legendary cemetery of factories. There

, Flood established the space environment for the realization of a season that in the year 2006 was held successfully during the months of September, October and November. No clutch, the project has grown the need to have a constant roaming, formalizing the intention to realize the collective workload following:

Performing a season in which to tour some of the villages belonging to the states located on the banks of the Gulf of Mexico.

This is the essential reason for the closeness that these places are the manifestation of natural disasters such as cyclones or floods criticism. Dramatic score that represents the project on the substance of its purpose scenic drive:
sign
Theatre as vivid in the memory of man to claim their origin.


III Here are the cities and towns referred to the development of what we have called Cyclone, Flood 2008 tour. Are these:

Matamoros Tamaulipas


San Fernando Soto la Marina

Aldama Altamira Ciudad Madero


Pueblo Viejo Veracruz

Ozuluama
Tuxpan
Tecolutla
Nautla
Actopan

Alvarado Veracruz
Tlalixcoyan
Aguadulce

Soteapan Coatzacoalcos

Tabasco
Huimanguillo
Cárdenas
Paradise
Jalpa
Nacajuca
Centla
Jonuta
Villahermosa Emiliano Zapata

Balancan
Tenosique

Campeche Ciudad del Carmen

San Pedro
Sabancuy
Checubul
Pital
Palizada
Champoton
Campeche
Tenabo
Hecelchakan
Calkini

Coast
The route will serve the most appropriate spaces of these villages for stage adaptation of the show. Thus, consider providing two functions in different areas favorable for the population that have the site of a post corresponding to their corners.

then propose the work plan developed during the continuous period of performances.

IV
The path of Cyclone tour will begin in the state of Tamaulipas. During the months of November and December this year will work on testing and replacement of some elements of production. Will also work on the technical logistics of the itinerary, looking through a representative coming from Assault-theater spaces for the best development potential of the project.

With the completion of this first phase, the group will hold its general rehearsal period and later moved to the border city of Matamoros, where he will begin his round.

In this city as in the rest of the sites you visit, must offer the following activities prior to the presentation of the assembly:

* Gallery lost in the flood. Exposure
street light poles, the objects that make up the actors staging: An umbrella, a chair, a chest, a cage.

* Lab Sample body "extreme nature"
Presentation board the power poles of the action method Corner Theatre for actors, dancers, stakeholders, journalists or the general public in the region that dress.

* I see the rain outside bursts into
Distribution
poems about the Flood, attached to power poles in the city.

subsequently carry out the implementation of two functions in different areas of the site, formalized for purposes of assembly-test-installation of technical equipment, filing a daily basis. Thus we consider the permanence of the group in each town you visit will be for three days.

V
Cyclone's career will continue for the rest of five cities in the state of Tamaulipas, looking over a month for completion in January 2008.
Later the group
reach the state of Veracruz, visiting twelve municipalities which account for two months working in the broadcast stage. Flood

appear later to inhabit the corners of the state of Tabasco, visiting eleven of its municipalities on the banks of the Gulf. Period will mean just as two months of activity in the course of the tour.

Finally, the work program will be at the stage of Campeche. Within the state, will visit twelve of their villages after just two months of collective work in this way to terminate the program path.


Thus, total time of the path which will include the proposed tour will be eight months, considering day trial, training, equipment installation and non-working periods of rest for the members of the group, who will return again to the city where their headquarters, with the history of a journey through the villages and corners overlooking the sea.


technical conditions of the tour

tour "This proposal does not contemplate the use of official venues such as theaters, auditoriums, forums and more., If not outdoors in secure access for developing our presentations. Therefore, and based on the attempt by the group in five years of stage work in the streets, it is only necessary to apply for a permit to the municipality where they carry out our activities, including logistics support in blocking the streets, public safety and medical assistance. These permits will be processed by the municipality of Ciudad Madero, who sponsored the proposal and undertake to liaise with the relevant authorities of each town you visit.

-electricity poles on which we base our work have been used by the support of the Federal Electricity Commission Central Tamaulipas. The exercise of the tour include the same support because the staging is no damage or deterioration. The actors' work is done by hand to two feet away from the wires that carry electricity. So there, in that sense, any kind of risk for both parties.

"The project is composed of four actors, a sound technician and lighting, an instructor responsible for overseeing the work areas for the installation of equipment used by string players and a representative. Thus adding seven members to conduct the tour.

-The group traveled in a van for ten passengers, which also has enough space to carry the props that requires assembly.


Objectives

-The creation of a stage movement from language that hold the corners as a territory of action for the theater today.

"The theater shows a representative to extend its possibilities in urban areas of immediacy for the viewer.

"The proximity to the residents of a region vulnerable to natural disaster, social circumstance and sheet music for dramatic exploration.

-professional maturation stage of a project that is in the cause of space and the memory of peoples, its essential meaning and significance of combat.

"The impetus for the initiative other theater groups to develop a theatrical movement that includes working with power poles in the corners of the city.


Goals
-Performing 100 functions in the exercise of the proposal.

-Linking 41 cities at the edge of the Gulf of Mexico.

-stage work in about 400 corners and power poles in the country.

Saturday, March 21, 2009

Where Is The Gold Vase In Poptropica



IDENTITY THEATRE X ROSARIO 2009
Basis for the contest THEATRICAL


TEATROXLAIDENTIDAD ROSARIO 2009 cycle will consist of 4 performances of works emerging from THEATRICAL DESIGN CONTEST. These will be selected by a selection committee composed of renowned playwrights, through the mechanism described below.
theatrical texts should be half-hour, maximum. The term refers to the net time the show ended.

The theme will be about identity broadly, ie it may or may not address the issue of appropriate children, being at the discretion of the jury for its relevance to the cycle.
The shows will be simple in technical resolution (set design, assembly and disassembly) and to be sharing space with other shows that they are intended.

The presentation should be made by mail, and paper-PRESENTATION MUST BE BOTH FORMATS.

A: PAPER
The texts were submitted in three copies in A4 size or letter, written on one side only and will be signed with a pseudonym.
In the first envelope marked:
the dramatic text (the name of the Work and signed with a pseudonym).
the artistic, (at least one sheet, prepared by the director and signed with the same pseudonym).
In a second separate sealed envelope will be completed PROJECT SUBMISSION FORM. It should list:
About the author: name, address, telephone and email address.
Name, complete data and REPRESENTATIVE DIRECTOR OF PRODUCTION.
List of actors who participate in the project. List
who will cover the various technical areas.
brief CVs of all members of the project.
Outside of this envelope should bear the title of the Work and the chosen pseudonym.

Works Reception will be held at the headquarters of the Grandmothers of Plaza de Mayo Rosario: Moreno 248 on Mondays, Wednesdays and Fridays from 9:30 am to 14hs, from 23 March to 16 June 2009 inclusive.

B: BY MAIL:

Only the theatrical text and the artistic, from the March 23, to June 16, 2009 inclusive; the mail: txirosario@gmail.com , and the mail: educamemoria@rosario.gov.ar
The Work shall be signed with a pseudonym and recorded the date of writing.
worth noting here that such work should not have been released previously.

SELECTION PROCESS:

will take into account the dramatic text and the artistic, as a starting point in the first instance of the selection of the project through the opening of the first envelope, where the 4 selected winning entries.

Once selected to serve on the 4 Cycle Works opens the second envelope with the submission form where you can learn the names of members of each of the selected theater projects.

Each author may submit (with different pseudonym) more than one work, but if selected two or more works by the same author, the judges will select ONLY ONE of them. The same criterion will be taken to the Director.
As for the actors and other technical areas, to participate an actor in two or more projects that will suggest appropriate replacements are made for each person to participate in only ONE show.

works should not necessarily have been written especially for the cycle, but the fact to be a specific material will be taken by the jury as something important in the selection, with the spirit of this decision to avoid works that have already been commercially released or transcendence in the middle.

not be chosen works by members of the reading committee.

can not choose which projects have been members of the selection committee in any field.

The working group should be able to carry out the project on a self-managed.

The Executive Producer will work in the commission of TXI production. It is a condition sine qua non the presence and participation the head of the executive producers in the production meetings. This charge can not be rotating and requires no prior knowledge or experience.
Each selected project will be in contact with TXI through a Contact Commission during the tests until the premiere.

Selected works will participate in the event that TEATOXLAIDENTIDAD ROSARIO held during the month of October 2009 at the CEC (Center of Contemporary Expressions) of our city.

Selected works may be called by the Grandmothers of Plaza de Mayo Rosary to participate in various activities, which performs the branch here in the city and its surroundings, namely: talks / discussion schools, districts, or any other event where important contribution is considered theater as an essential tool in the search for the grandchildren removed by the last military dictatorship. ROSARIO TEATROXLAIDENTIDAD

conjunction with the Memorial Museum and the Performing Arts area of \u200b\u200bthe Municipality of Rosario, will bring in terms of rehearsal and broadcast of the event.

Results are posted on the blog TXIROSARIO: www.txirosario.blogspot.com, on the official website of the Grandmothers of Plaza de Mayo: http://www.abuelas.org.ar/ , as well as the following official sites: http://www.teatroxlaidentidad.net/ , http://www.rosario.gov.ar/ and http://www.museodelamemoria.gov.ar/ .
The date of publication of the winners is scheduled for Monday July 6, 2009, leaving about three and a half for testing







Submission Form THEATRICAL DESIGN CONTEST 2009
TEATROXLAIDENTIDAD ROSARIO
Project Name:



Director Name:
Phone / s:
E-mail:
Address:


Author Name:
Phone / s:
E-mail:
Address:

Responsible Production
Name:
Phone / s:
E-mail:
Address:

Other Members
know that the members of the following items may vary to the extent they arise commitments, but at least 50% of names must be entered in the final show. The phone number is asked for the jury to possibly confirm the intention to participate by telephone by participants.



Name Phone
E-mail:



Set Costume









Music Assistant Director






Actors




Other



Production Proposal:

Signed by the Production Manager: Developing technical proposals for implementation of sets, costumes, etc. and armed on stage.


BE ATTACHED: BRIEF RESUMES OF EACH MEMBER OF PROJECT

Signature of Director:


Author Signature: Signature


Production Manager:


The competition may be withdrawn at :

Grandmothers of Plaza de Mayo Rosario : Moreno
248 Days: Monday, Wednesday and Friday from 10:00 to 14:00.
Memorial Museum and Arts of the Municipality of Rosario : Avenida del Valle and Callao.

http://www.txirosario.blogspot.com/
http://www.abuelas.org.ar/

Sunday, March 8, 2009

Watch Los Hombre De Paco

TXI Rosario, invites you to participate: TXI


Friday, February 20, 2009

Stem Cell Hair Growing

in Rosario. Its beginnings ...









TXI own struggle ago Grandmothers of Plaza de Mayo and builds himself as a necessary theater as a bridge of love that the voices of theater with the audience.









Teatroxlaidentidad (TXI) born in the deep urge to articulate legitimate defense mechanisms against the brutality and horror that mean the crime of misappropriation babies and children and the replacement of their identities in an organized and systematic by the military dictatorship. Crime still continues.
The search for identity involves society as a whole. If genocide and the systematic appropriation of children by the state terrorism formed a big social problem, a reflection on its consequences are also made to involve the entire society. To do this, it is essential to build our individual identity of the dialogue without excluding people with their stories, families and stolen names.


Teatroxlaidentidad Rosario was formed in early 2006 from the interest of a group of local artists to collaborate with the struggle carries on, for more than 30 years, the Grandmothers of Plaza de Mayo, with main objective of assisting in the meeting more than 400 grandchildren who are still with their identities adulterated.
On 23 October the same year, an event was held at the Center of Contemporary Expressions (CEC), which was released the group's proposal and celebrated the 29th anniversary of Grandmothers. There
presented the book "Gates of the Gorge" - Analía Spina, in which Daniel acted Covacevich, Romina Bozzini, Marcos Ramos and Analia Spina. It was directed by Claudio Piccinini and was accompanied by live music - Florence Martinucci on cello, guitar and Cristian Wardoloff Leandro Silva on percussion. It also conducted a reading of monologues inspired by the testimonies collected by the Grandmothers biographical file. The same were made by Julian Sansarricq, Paula Marcela Espindola and Sadin









First release







2006












Rosario12







By Julio Cejas

was presented at the Center of Contemporary Expressions Theater for Identity Rosario, a correlate of the important gesture of support to the struggle of the Grandmothers of Plaza de Mayo over the past five years has been developing steadily in different cities. Teatroxlaidentidad (TXI) was born according to its organizers, "in the deep urge to articulate legitimate defense mechanisms against the brutality and horror of the crime means of babies and children and the replacement of their identities in an organized and systematic by the military dictatorship, crime still remains in force.
Theatre is one of the most genuine when it comes to account for a phenomenon that attempts to recover the collective memory, that is why in 2001 more 500 playwrights are self Federal Capital and made itself the struggle of the Grandmothers of Plaza de Mayo, making a bridge that joins the voices of theater with the public and with every guy that question.
This cycle launched in Buenos Aires caused many young people who were uncertain of their true origin were put in contact with the organizers in order to reconstruct their life stories.
The head of the local chapter of Grandmothers of Plaza de Mayo, Ivan Fine, opened the ceremony, which included the participation of a large crowd and introduced the actress, teacher and theater director Claudio Piccinini, responsible for the artistic part of the move.
For its part, the president of Grandmothers of Plaza de Mayo de Rosario, Gallicchio Darwinia had fiery words about the importance of the struggle for the return of many young people to their rightful homes.
With regard to the date on which it was decided to perform the cycle in Rosario, Fina stated that "the choice of this day is not less, because Sunday 22, the Association of Grandmothers of Plaza de Mayo turned 29, this is a time in which we must be careful with things passing ".
Claudia Piccinini stated that" Theater for Identity is leaving footprints across the country, which is why we got together because we wondered what could we do to help the search for the Grandmothers, and because identity means many things have to do with something you are looking around the country for a long time, especially at a difficult time in which there are many misunderstandings and even disappearance. "
The event ended with the presentation of the broken doors, a theatrical performance coordinated by the director and actors starring Daniel Covacevich, Romina Bozzini, Marcos Ramos and Analia Spina, the appoggiatura Florence Martinucci of musicians, Leandro Silva, Cristián Wardoloff, who joined Julian Sansarricq, Paula Marcela Espindola and Sadin, reading of monologues based on testimonies from the files of the Grandmothers.









2007




second year of theater for Identity in Rosario















Impact ...



Rosario 12




Music and Theatre by Granny



Various art forms today and tomorrow join the celebrations for the 29 years of conformation of the Grandmothers of Plaza de Mayo. The intention is to reflect on the actions of the dictatorship, the systematic appropriation of children and promote the search for identity.




By Edgardo Pérez Castillo






Six years after the development of the project in Buenos Aires, Teatroxlaidentidad (TXI) had its first edition in Rosario in October 2006. And it was not randomly selected a date for installing the cycle in the city, thinking done as a tribute to the 29 years of the formation of the Grandmothers of Plaza de Mayo, a commemoration that meet the expectations of its organizers. Those same as this weekend the second edition will be reflected local ITx, which is beginning to glimpse the growth of a project conceived originally intended to reflect on the actions of the dictatorship and systematic appropriation of children, pointing also to encourage the search for identity. In this context, various activities will be held today from 18 in the Civic Plaza (San Lorenzo 1949), to continue tomorrow at 17 at the Warehouse 11, Sargento Cabral and river. Ivan
Fina, representative of the Grandmothers of Plaza de Mayo in Rosario, highlighted the growth Rado log in this second version of ITx in the city: "Last year we achieved the goals because the turnout was small, according to the possibilities but the response was enormous. This year we made a bigger effort, we have more help and also adds to what we are celebrations for the 30th anniversary of the formation of the Grandmothers of Plaza de Mayo. A little issue is to continue installing, but also thanks to the Grandmothers. And the other goal is that someone might be listening, witnessing the works and is a way to reconnect with their history. "
Fina said that" expectations remain the same as ever, that the project is known, you get closer people and that this could grow more. "Claudio Piccinini, responsible for the artistic coordination of the meeting, distinguished:" We depend on the Grandmothers of Plaza de Mayo, that by the end of the year will have their own place. Now his office is on the Human Rights Secretariat, but the idea is to have a proper place and function in that space ITx. Also from this year we connect with many people who assisted in the organization, perhaps ITx start doing other things. Always keeping the meeting on the anniversary date of the Grandmothers, in connection with the search for identity, beyond anything else that might arise. Because, for example, think about coordinating a program with the Association of Independent Rosario playwrights.
This weekend project for the Identity Theatre will have its second experience, in which growth is translated into programming. Opening reach 18 in the Civic Plaza, space that half an hour later, there will be a musical segment of the group by Aura tango, folklore Fire seed and urban music of Pavlo Read. After presenting some excerpts from the work black Pena ... Tierra Verde, Victoria by Garay and Mauro De Gerolamo, the music continues with performances by Cecilia Giménez (which will be accompanied by Victoria Virgolini and Cristian Loza), Cristian Vega Trio and Alejandro Manzur. From
20, Buenos Aires TeatroxlaIdentidad group will stage his play My name is Anabel Valencia, which will give way to the projection of videos in the country I do not remember (Paul Rodriguez animation Jauregui), institutional on Information Services of Santa Fe Province by the Provincial School of Film and Television and Argentinología, Sebastian Cicutti animation. The band grooves and staging of Who Killed Rudolph? 45 Theatre Group closed the first day, which will include an exhibition of works on memory and identity made by various artists.
Tomorrow, meanwhile, will shed 11 to 17 with cigarette 43, a work by the group Fet a ma and directing Graciela Casanova. An hour later screened The Eternauta, video-documentary on the life of Hector Oesterheld Germain, the remarkable writer disappeared during the dictatorship. From the 19 will alternate live music with video projections. In this context, the bands that will take the stage at Sargento Cabral and Rio Tinto will Ajo, Apex, Pink Flamingos, Julio Franchi, Mr. Madruga, Las Viejas, and Rosario cornalitos Smowing, in what will be the end of a meeting The Paridera joined as co-organizer group.








Third cycle







2008


Impact ...

Capital


theater Meeting
identity between Friday and next Sunday at the Teatro La Comedia (Mitre and cut Ricardao) will be held the Third Meeting Rosario Theater for Identity, organized by Teatroxlaidentidad, Grandmothers of Plaza de Mayo, Memorial Museum and the Ministry of Culture and Education City.
On Friday, at 19, will read testimonies Grandmothers file by Juan Pablo Geretto, Maria del Carmen Sojo and Quico Saggini. Then there will be a discussion with Jorge Dubatti, Emilio Bellon and Aldo Pricco and will take the stage a race of ponies, Patricia Zangaro, starring Victoria Garay.
On Saturday, at 19, there will be a discussion with Marcelo Camacho, TV writer's identity; Monica Scaparone, actress Cecilia Propato, playwright and Jorge Villegas, director of theater. At 21 is present Portrait of an Invisible Man, with Fernando Berreta and direction of Jorge Villegas.
On Sunday, he will, at 20, As of Chou, with Catherine and Max Cho Chung and Cecilia Propato address. At 21, the closure will be in charge of Ivan Fina and provide testimony Victoria Torres, a granddaughter recovered.

Rosario 12

CULTURE / ENTERTAINMENT > THIRD MEETING OF THE ROSARY TXI CYCLE IN THE COMEDY
From the past to the future starts tomorrow
the activity organized by Grandmothers Plaza de Mayo and the city, with a work of Rosario as a race of ponies, with Victoria Garay. Proposals will also be close to Buenos Aires and a granddaughter recovered. Organized by Teatroxlaidentidad
, Grandmothers of Plaza de Mayo, Memorial Museum and Performing Arts Department of the Ministry of Culture and Education municipal, tomorrow starts the "Third Enc Theatre uentro Rosario for Identity." Designed as a tool to assist in the construction of historical memory, the cycle will run until Sunday at the Comedy Theatre and Cut Mitre Ricardao (see box), including the presentation of works and the realization of which will have the debate tables actors artists who hold an ideological and political commitment to cooperate with the work carried out by the Grandmothers of Plaza de Mayo.
Claudia Piccinini, a member of the organizing committee for the Museum of Memory and ITx Rosario, said the endorsement made in this third edition from work conjunction with the Area of \u200b\u200bPerforming Arts and the museum led by Rubén Chabab. "The support from these two areas of the Ministry of Culture was important because it gives us the ability to move differently," he stressed, while noting: "It remains, however, as a very strong year, especially this year . I think it also has to do with the Grandmothers of Plaza de Mayo de Rosario is working with a shoestring budget, and it becomes necessary that while we are part of the Grandmothers, Teatro x Identity has its own budget. Everything is doing takes effort people that support it. "
In this regard, and regarding the future of the project Piccinini said that "it is very important from Granny can build another space, so it is not a question of an annual event that can work during the year on other issues, to work more consistently on identity, memory and history. "
organizer remarked: "This is the third year that we work with the game, but we are eager to grow in other areas that have more to do with the everyday, to make every day, and appear to relate, not only an annual event. "
This new edition, meanwhile, had a selector shaft in the recovery of identity: "In principle, although the main objective Grandmothers' has to do with the recovery of the grandchildren, they themselves are working every day on the identity, which is much wider. It has to do with the identity of your neighborhood, your city, your country, everything that makes not only the historical but also the way to rebuild or build your life. In tone it is working. And what of the theater, like movies, music and artistic expression generally, is that it falls into the merely descriptive, or merely to count or recount what happened, but from the signs of language enriches it puts into question and so valued. The artistic language gives you many possibilities, which is what that concerns us. "
" Initially we were interested in the variety - added the organizer -. Garay Rosario works by Victoria, with a race of ponies Patricia Zangaro, a work that was selected by Teatroxlaidentidad. Jorge Villegas also, that although not directly in ITx, it works on a project called Trial, and has to do with the recovery of some cases, in principle, approached from the courts, they have to do with people involved at the time of the dictatorship. "
The proposal includes works of Buenos Aires." Cecilia brings Propato As Chou, who was awarded and published by ITx. What we are trying to articulate is that people also could account for its work. For example, Marcelo Camacho comes from Buenos Aires to discuss Montecristo, or Aldo Pricco, who worked like Trojans and coordinate all their work to this subject. And another thing is that we are not only past but also of present and future. All this is articulated and has to do with the projects as they respond to political, economic, social. That is the importance of the potential recovery of the boys, and this is known.



Rosario 12





Among eastern nostalgia




Today at 20 at the Teatro La Comedia and the programming framework of a new edition of "Theatre for identity" will be presented the play "As Chou, written and directed by the filmmaker Cecilia Propato Buenos Aires.






By Julio Cejas







This book is set in the seventies in Argentina, and everything happens in inside the dry cleaners where she lives and works a marriage Chinese. Tzu Li misses his home country and believes his inability to be a mother is related to the land they inhabit but which is not integrated. According to this woman author "misses the yellow of his country, while her husband, Chou Tzu insists that the sky is blue everywhere, although in Argentina the streets will be stained red." Chou Tzu-Li does not let the memories alive Tzu, is convinced that in this new country can envision a prosperous economic future and peace of mind that they had in China. But the discovery of a photograph of a pregnant woman in the sack of a face generally leads to the daily violence and dive into the reality that surroundings.
Another feature of this proposal is that the work is spoken entirely in Korean, and subtitling in Castilian, represents Propato, "the effort of wanting to understand the alien"
The stage is characterized with a minimalist aesthetic, which includes a screen on which are projected slides with the dialogues of the characters. Cecilia
Propato, Rosario frequent visitor since the time dictated Playwriting Workshop at the Center of Contemporary Expressions under the project "out of Rojas Rojas," is also the author of the book "Romancito" you just rerun the Romagnoli director Carlos Rosario.
Propato who was also present in this city on the occasion to premiere his work at La Escalera, Rosario/12 told that "Romancito can enter into the political theater but no complaints because I work with the default system, never named the missing word is a peripheral reporting work, I choose to tell it from another location rather than a specific place. Do not tackle it from the complaint, a la Brecht, but from otherness, from the absurd, I like working with the extreme situation of something that is on the verge degradation, with the idea of \u200b\u200ba parallel world in reality. "
"As Chou" as well as participate and be rewarded in Cycle Teatroxlaidentidad 2004, was part of the event: "Different Latitudes: Sema small-format theater "and" Experiences in stage 2006. "
In today's work can be seen at Teatro La Comedia, the lighting is ambient, non-theatrical and costume according to the author" is not combined in himself contrast, but by association. "Another management decision is the absence of music for the purpose of working with sound and silence as the sound itself caused by the passage of the slides as if they mark the rhythm of the work.
Starring Catherine Cho composed and Max Chung, scenery and lighting design is the responsibility of Gabriel Caputo, costume design is Zuvialde Cecilia and the choreography was designed by Viviana Iasparra.
The "3rd Meeting of Theater for Identity Rosario" organized by Grandmothers of Plaza de Mayo, the Museum of Memory and the Department of Performing Arts of the Ministry of Culture and Education City, was among its programming with input from other prominent theater director, the Cordoba Jorge Villegas. (See separate article)
During the meeting which began on Friday projected a clip of Bersuit, over the grandkids recovered and the attendees could be found in the lobby with various news programs on TXI, Grandmothers of Plaza de Mayo and Exhibition artists "Identity", in relation to the subject.