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CRITICISM WHEN BIRDS BY ROSA MORALES Romo

When the birds received the International Prize XIV Antonio Machado in Baeza in 2010. Its author, Professor of Theory of Literature at the University of Málaga is one of the most interesting poets the current scene with a solid work in the field of literary research and creating poetry. When the birds
addresses antithetical symbols of creation, of existence in the context of its setting and its vital importance to a great linguistic containment that removes the unnecessary and concentrate on the meanings with the intention that the thrill of freedom and its correlates find their space and time. This is a very Machadian book by the scope of the word ("poetry, word in time") as last time and enclosing a transformation in the landscape, nature in the poet and his world. Thus, the subjects appear fall, the train wreck of interior, the way (the way of life) with root Machado, or later as a symbol of vital exhaustion or vital space for melancholy, a suggestive announces us that Machado de Solitudes, galleries and other poems.
But this view is also observed in differentiating a willingness on the part of Rosa Romo. For example, at one point says: "Meanwhile life goes to completion. / / But it's not the river. / Is / a leaf in the river, and, perhaps, / its mark on a beach. / A useless wreck. / bit at the end. Detritus / Pass in a field. " The duality of life / Machado river reaches from Jorge Manrique and medieval songbooks is not the essence that moves the poet Algeciras, but its ultimate consequence, their sense of wreck, perhaps a trophy, loot or detritus but with meaning. It is useless existence, the writer seems to say, in its essence is something that remains and feeds. It is true that there is a life journey in the train symbolic, perhaps on that train with flask of Damaso Alonso, a train that has no end because it always returns as the theory of eternal recurrence niezschteana to its origin because it carries a light. Rosa Romo
commitment to organize a theory of existence that reaches into the title of the book its paradigm: an image, that of birds (the film retentivity is shown) which is an outward and amplificatio in: blackbirds, doves, owls, swifts ... do they seek, they crave. Be writing, ie, achieving an identity from the mystery of being called to meet us.

Foj Felipe Candel, Rosa Romo and Lomas Morales (2006)

and Going from the left forever, leaving the memory in writing or on the identity of what we are a vital concern that attacks us when we perceive the absence: "This is life. Which does not exist then. / That time only one means. / And it is also one only in passing, plus only the river that serves as support. " This language of being worldly in its delivery and the sound of the waves of life in us, our nature of birds, flight, claiming their loved today, your tomorrow, your writing ... beings caught up in the solitude, that mythology shelter and cave, this fall, always in late fall and one woman as "a woman / sitting at the shore in the fall / the deserted beach." With all the pain of the world, with all the goodness of nature around, holding the moment ... So long as a claim to continue living with the "heart open / liquid babbling this time."
The sight of it can be done through the perspective of that window that opens to the distant landscape as we get the quietude of the world in the game of the eye that sees but is seen suspended in the stillness and in certain currently fed by the grief and tears. Never escape. The poet confronts the world, known for their defeat, but that is determined by something outside, the battle can be won, but almost always lost and landed in a flying adventure (and hopes not miss), "only in space / on the infinite. / Silence of engines / eternity or Naples. " A reconnaissance flight at that altitude it has freedom. The poet is in the world and it's just him and get stations and trains, and springs and autumns. And there's a fierce battle and he knows defeat but victory was always his desire, will be, alone or in stillness broken world. We can find love, find the approach of light, heat, landscape ... but ultimately it is the word and its success as we reach: "The word, the only certainty." Our word redeems us, reaches its full and ultimate meaning of what we were.

Rosa Romo, When the birds , Hyperion, Madrid, 2010, 62 pp.

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UDAIPUR LOMAS DE FERNANDO DE LOMAS

narrative writer Fernando de Villena Granada, Andalucia XV Critics Award for his novel The witness of the times, is growing every year with new releases that show a tireless writer since the transition has been made of the literature his life. His latest release is Udaipur, a novel published in Barcelona, \u200b\u200bthe beautiful collection of narrative Ediciones Carena led by José Membrive.
in recent years are the adventures the stage for the development of romantic passion at close at times to the Byzantine novel that takes shortcuts or which has similarities, for example, in marriage, in cumulus scenarios and laya various difficulties to be overcome ...
Udaipur protagonists developed a story that goes from Venice to this magical place in India, Udaipur, a paradise in the Indian federal state of Rajasthan, at the foot of the mountains Aravelli, also known as the City of Lakes. Through the narrative voice at first and third persons that perspectivism comes more intimate or more target with plans to introduce a compelling story for the reader and very agile in its development of the plot to the point that there is an aesthetic in writer to allow continuity in reading.
In that space that takes the trip as a center of the action novel, as was in the control of time, two different elements are assembled: the journey as descriptive and emotional scope and action novel with a plot that is secured in suspense and side streams that make the story grow. With lively narrative and subtlety, Fernando de Villena will captivate us with that particular perception of the landscape that is showing and the voyage of the characters and their stories lovemaking: Isabela, the protagonist, and her beloved Mr. Clery.
The story begins in Venice, when Isabella tells her life, the death of his father, his mother, his uncle Ludovico Bonesana, the old Marcia, Aunt Clara ... and the discovery of the manuscript of Franco Alberoni, an ancestor him on Udaipur. This will encourage you to begin the journey that is going to be disturbed by the intrigues of his cousin Genaro Bonesana to claim the inheritance that belongs to him and believes the hiring of a hired murderer, Lucio Cobos, who will head the Indian city for overcome by his death inherited the plot. On that trip, Isabela encounters a mysterious Olivier de la Motte to know more than you read and follow us into the mystery. Soon we will know what the Abbe Ponciano machined and Bonesana while continuing his quest to Goa, to be followed by parallel Olivier de la Motte and the gunman Lucio Cobos ...
The novel is organized into seventeen short chapters that have sometimes altered linearity with dichotomous situations in the history of Clery and Isabela in the end just by joining.
This is a work of action, endowed with a mysterious and historical documentation but above all a clear desire to create a literary work that entertains the public and to feel rewarded for the crime drama that intertwines with and loving the crossroads , which lets talk about gender mainstreaming fictional novel appears as both sentimental, historic, adventure and cutting the detective. All this combined with the passion for travel and see the attractiveness of the East.
The reader makes this journey with subtlety and charm of intrigue and make good one of the most attractive current narrators.

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VILLENA CALL FOR MORALES ANDALUSIA AWARD OF THE 2011 REVIEW AND DAMN

Andalusian Association of Writers and Literary Critics 'Southern Writers and Critics' Prize XVII calls the "Andalusia" Critics 2011, with the collaboration of the Junta de Andalucia, MINISTRY OF CULTURE , and the Andalusian Institute of Arts and Letters, the entity UNICAJA and the city of Algeciras by the Municipal Foundation of Culture José Luis Cano, designed to recognize the best books published writers and authors throughout Andalusia, 2010 in the categories of poetry and narrative.
AAEC members -Consisting of a hundred literary scholars, critics, journalists, professors, authors, cultural advisors and the dates proposed in pre-judgment a list of titles that it deems to be of higher quality. After scrutiny of the works, they will advance to the final to be considered by a jury that will decide the title worthy of the awards.
If any author or publisher sees fit to send books published writers or writers Andalusia in 2010, may do a C / historian Dozy 17, 14005 Córdoba, before the January 10, 2011, sending 10 copies of each title (not be returned by the Association).
may also be granted the special award for best "Opera prima" if the jury deems it appropriate.
The jury, composed of 20 critical-PACE members and representatives of the media, will issue its final decision before the end of March 2011 in the city of Malaga.
This award has no monetary prize and awards as recognition, paths consist of statues commemorating the event, which will be given to the author / s winners / as during the first fortnight of May 2011 in the city of Algeciras (Cádiz).
The award winners are not eligible for the prize for five years from the date they were granted last time, also can not be selected members of the board of the Association or the components of the jury in the last two calls.