Founded on the need to extend the possibilities of the theater stage, with the view experimentation and development, this event has joined the physical work of four actors driven to form a corporate identity in seclusion and the survival of a power pole in the city, language that is constructed by making use of systems based on harnesses, ropes and pulleys to create a theatrical aesthetic that culminated in the staging of "Flood, theater corner" in the year 2005.
The project, supported by the FONCA within the program's 2004-2005 Young Artists Program, has been a stage movement generated in the corners of these streets, the theatrical phenomenon rooted in the need to stand before the flood vacuum .
The project, supported by the FONCA within the program's 2004-2005 Young Artists Program, has been a stage movement generated in the corners of these streets, the theatrical phenomenon rooted in the need to stand before the flood vacuum .
Ob general aim
assembly representation "Flood, theater corner" by a tour of the urban settings that include electricity poles in villages surrounding the margins of the Gulf of Mexico.
Description and justification of the project
I
Flood is a factory of absences, a story which begins desolation at the end of a devastating cyclone. It is the way of men who travel the spoils of a people claiming their origin, inhabiting the realm of a post in the highest safeguard of oblivion. It's a flood in the silence grows unseen, under the protection of the corners.
Description and justification of the project
I
Flood is a factory of absences, a story which begins desolation at the end of a devastating cyclone. It is the way of men who travel the spoils of a people claiming their origin, inhabiting the realm of a post in the highest safeguard of oblivion. It's a flood in the silence grows unseen, under the protection of the corners.
Within the development the project has experienced over two years of activity, we were interested in having a working area that can detonate at varying degrees of dramatic intensity, getting involved in the search for elements whose nature represents a critical importance in the scene.
We hit the streets to see how the world is designed by forming lines in the corners that lead us to pursue a career, but always return home same departure. We have set out to look at the posts resisting, as silent witnesses of history, multiplied and old. We went to the house dead, with broken sidewalks, cars made up with the dust of the people who travel on streets. We saw our town from below and find the need to reclaim a theater on every corner.
II
In periods of work that has understood the exercise stage of the project, have proved to intensity contributions from other languages \u200b\u200bnot covered in the original plot of staging the Teacher initially carried out by Angel Hernandez and given to the continuity for us, members of Assault theater.
Thus, we have engaged in a process of enrichment for the assembly, focusing on open spaces in neglect, they can get to accommodate the nature of the proposal stage. That was how we finally found an old industrial island, surrounded by the river in the lower areas of the port of Tampico, whose fate after being affected by the flooding of fifty-five, was to be dressed in ruins, turned into a legendary cemetery of factories. There
, Flood established the space environment for the realization of a season that in the year 2006 was held successfully during the months of September, October and November. No clutch, the project has grown the need to have a constant roaming, formalizing the intention to realize the collective workload following:
Performing a season in which to tour some of the villages belonging to the states located on the banks of the Gulf of Mexico.
This is the essential reason for the closeness that these places are the manifestation of natural disasters such as cyclones or floods criticism. Dramatic score that represents the project on the substance of its purpose scenic drive:
sign
Theatre as vivid in the memory of man to claim their origin.
III Here are the cities and towns referred to the development of what we have called Cyclone, Flood 2008 tour. Are these:
Matamoros Tamaulipas
San Fernando Soto la Marina
Aldama Altamira Ciudad Madero
Pueblo Viejo Veracruz
Ozuluama
Tuxpan
Tecolutla
Nautla
Actopan
Alvarado Veracruz
Tlalixcoyan
Aguadulce
Soteapan Coatzacoalcos
Tabasco
Huimanguillo
Cárdenas
Paradise
Jalpa
Nacajuca
Centla
Jonuta
Villahermosa Emiliano Zapata
Balancan
Tenosique
Campeche Ciudad del Carmen
San Pedro
Sabancuy
Checubul
Pital
Palizada
Champoton
Campeche
Tenabo
Hecelchakan
Calkini
Coast
The route will serve the most appropriate spaces of these villages for stage adaptation of the show. Thus, consider providing two functions in different areas favorable for the population that have the site of a post corresponding to their corners.
then propose the work plan developed during the continuous period of performances.
IV
The path of Cyclone tour will begin in the state of Tamaulipas. During the months of November and December this year will work on testing and replacement of some elements of production. Will also work on the technical logistics of the itinerary, looking through a representative coming from Assault-theater spaces for the best development potential of the project.
With the completion of this first phase, the group will hold its general rehearsal period and later moved to the border city of Matamoros, where he will begin his round.
In this city as in the rest of the sites you visit, must offer the following activities prior to the presentation of the assembly:
* Gallery lost in the flood. Exposure
street light poles, the objects that make up the actors staging: An umbrella, a chair, a chest, a cage.
* Lab Sample body "extreme nature"
Presentation board the power poles of the action method Corner Theatre for actors, dancers, stakeholders, journalists or the general public in the region that dress.
* I see the rain outside bursts into Distribution
poems about the Flood, attached to power poles in the city.
subsequently carry out the implementation of two functions in different areas of the site, formalized for purposes of assembly-test-installation of technical equipment, filing a daily basis. Thus we consider the permanence of the group in each town you visit will be for three days.
V
Cyclone's career will continue for the rest of five cities in the state of Tamaulipas, looking over a month for completion in January 2008.
Later the group
reach the state of Veracruz, visiting twelve municipalities which account for two months working in the broadcast stage. Flood
appear later to inhabit the corners of the state of Tabasco, visiting eleven of its municipalities on the banks of the Gulf. Period will mean just as two months of activity in the course of the tour.
Finally, the work program will be at the stage of Campeche. Within the state, will visit twelve of their villages after just two months of collective work in this way to terminate the program path.
We hit the streets to see how the world is designed by forming lines in the corners that lead us to pursue a career, but always return home same departure. We have set out to look at the posts resisting, as silent witnesses of history, multiplied and old. We went to the house dead, with broken sidewalks, cars made up with the dust of the people who travel on streets. We saw our town from below and find the need to reclaim a theater on every corner.
II
In periods of work that has understood the exercise stage of the project, have proved to intensity contributions from other languages \u200b\u200bnot covered in the original plot of staging the Teacher initially carried out by Angel Hernandez and given to the continuity for us, members of Assault theater.
Thus, we have engaged in a process of enrichment for the assembly, focusing on open spaces in neglect, they can get to accommodate the nature of the proposal stage. That was how we finally found an old industrial island, surrounded by the river in the lower areas of the port of Tampico, whose fate after being affected by the flooding of fifty-five, was to be dressed in ruins, turned into a legendary cemetery of factories. There
, Flood established the space environment for the realization of a season that in the year 2006 was held successfully during the months of September, October and November. No clutch, the project has grown the need to have a constant roaming, formalizing the intention to realize the collective workload following:
Performing a season in which to tour some of the villages belonging to the states located on the banks of the Gulf of Mexico.
This is the essential reason for the closeness that these places are the manifestation of natural disasters such as cyclones or floods criticism. Dramatic score that represents the project on the substance of its purpose scenic drive:
sign
Theatre as vivid in the memory of man to claim their origin.
III Here are the cities and towns referred to the development of what we have called Cyclone, Flood 2008 tour. Are these:
Matamoros Tamaulipas
San Fernando Soto la Marina
Aldama Altamira Ciudad Madero
Pueblo Viejo Veracruz
Ozuluama
Tuxpan
Tecolutla
Nautla
Actopan
Alvarado Veracruz
Tlalixcoyan
Aguadulce
Soteapan Coatzacoalcos
Tabasco
Huimanguillo
Cárdenas
Paradise
Jalpa
Nacajuca
Centla
Jonuta
Villahermosa Emiliano Zapata
Balancan
Tenosique
Campeche Ciudad del Carmen
San Pedro
Sabancuy
Checubul
Pital
Palizada
Champoton
Campeche
Tenabo
Hecelchakan
Calkini
Coast
The route will serve the most appropriate spaces of these villages for stage adaptation of the show. Thus, consider providing two functions in different areas favorable for the population that have the site of a post corresponding to their corners.
then propose the work plan developed during the continuous period of performances.
IV
The path of Cyclone tour will begin in the state of Tamaulipas. During the months of November and December this year will work on testing and replacement of some elements of production. Will also work on the technical logistics of the itinerary, looking through a representative coming from Assault-theater spaces for the best development potential of the project.
With the completion of this first phase, the group will hold its general rehearsal period and later moved to the border city of Matamoros, where he will begin his round.
In this city as in the rest of the sites you visit, must offer the following activities prior to the presentation of the assembly:
* Gallery lost in the flood. Exposure
street light poles, the objects that make up the actors staging: An umbrella, a chair, a chest, a cage.
* Lab Sample body "extreme nature"
Presentation board the power poles of the action method Corner Theatre for actors, dancers, stakeholders, journalists or the general public in the region that dress.
* I see the rain outside bursts into Distribution
poems about the Flood, attached to power poles in the city.
subsequently carry out the implementation of two functions in different areas of the site, formalized for purposes of assembly-test-installation of technical equipment, filing a daily basis. Thus we consider the permanence of the group in each town you visit will be for three days.
V
Cyclone's career will continue for the rest of five cities in the state of Tamaulipas, looking over a month for completion in January 2008.
Later the group
reach the state of Veracruz, visiting twelve municipalities which account for two months working in the broadcast stage. Flood
appear later to inhabit the corners of the state of Tabasco, visiting eleven of its municipalities on the banks of the Gulf. Period will mean just as two months of activity in the course of the tour.
Finally, the work program will be at the stage of Campeche. Within the state, will visit twelve of their villages after just two months of collective work in this way to terminate the program path.
Thus, total time of the path which will include the proposed tour will be eight months, considering day trial, training, equipment installation and non-working periods of rest for the members of the group, who will return again to the city where their headquarters, with the history of a journey through the villages and corners overlooking the sea.
technical conditions of the tour
tour "This proposal does not contemplate the use of official venues such as theaters, auditoriums, forums and more., If not outdoors in secure access for developing our presentations. Therefore, and based on the attempt by the group in five years of stage work in the streets, it is only necessary to apply for a permit to the municipality where they carry out our activities, including logistics support in blocking the streets, public safety and medical assistance. These permits will be processed by the municipality of Ciudad Madero, who sponsored the proposal and undertake to liaise with the relevant authorities of each town you visit.
-electricity poles on which we base our work have been used by the support of the Federal Electricity Commission Central Tamaulipas. The exercise of the tour include the same support because the staging is no damage or deterioration. The actors' work is done by hand to two feet away from the wires that carry electricity. So there, in that sense, any kind of risk for both parties.
"The project is composed of four actors, a sound technician and lighting, an instructor responsible for overseeing the work areas for the installation of equipment used by string players and a representative. Thus adding seven members to conduct the tour.
-The group traveled in a van for ten passengers, which also has enough space to carry the props that requires assembly.
Objectives
-The creation of a stage movement from language that hold the corners as a territory of action for the theater today.
"The theater shows a representative to extend its possibilities in urban areas of immediacy for the viewer.
"The proximity to the residents of a region vulnerable to natural disaster, social circumstance and sheet music for dramatic exploration.
-professional maturation stage of a project that is in the cause of space and the memory of peoples, its essential meaning and significance of combat.
technical conditions of the tour
tour "This proposal does not contemplate the use of official venues such as theaters, auditoriums, forums and more., If not outdoors in secure access for developing our presentations. Therefore, and based on the attempt by the group in five years of stage work in the streets, it is only necessary to apply for a permit to the municipality where they carry out our activities, including logistics support in blocking the streets, public safety and medical assistance. These permits will be processed by the municipality of Ciudad Madero, who sponsored the proposal and undertake to liaise with the relevant authorities of each town you visit.
-electricity poles on which we base our work have been used by the support of the Federal Electricity Commission Central Tamaulipas. The exercise of the tour include the same support because the staging is no damage or deterioration. The actors' work is done by hand to two feet away from the wires that carry electricity. So there, in that sense, any kind of risk for both parties.
"The project is composed of four actors, a sound technician and lighting, an instructor responsible for overseeing the work areas for the installation of equipment used by string players and a representative. Thus adding seven members to conduct the tour.
-The group traveled in a van for ten passengers, which also has enough space to carry the props that requires assembly.
Objectives
-The creation of a stage movement from language that hold the corners as a territory of action for the theater today.
"The theater shows a representative to extend its possibilities in urban areas of immediacy for the viewer.
"The proximity to the residents of a region vulnerable to natural disaster, social circumstance and sheet music for dramatic exploration.
-professional maturation stage of a project that is in the cause of space and the memory of peoples, its essential meaning and significance of combat.
"The impetus for the initiative other theater groups to develop a theatrical movement that includes working with power poles in the corners of the city.
Goals
-Performing 100 functions in the exercise of the proposal.
-Linking 41 cities at the edge of the Gulf of Mexico.
-stage work in about 400 corners and power poles in the country.
-Linking 41 cities at the edge of the Gulf of Mexico.
-stage work in about 400 corners and power poles in the country.
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