When the birds received the International Prize XIV Antonio Machado in Baeza in 2010. Its author, Professor of Theory of Literature at the University of Málaga is one of the most interesting poets the current scene with a solid work in the field of literary research and creating poetry. When the birds
addresses antithetical symbols of creation, of existence in the context of its setting and its vital importance to a great linguistic containment that removes the unnecessary and concentrate on the meanings with the intention that the thrill of freedom and its correlates find their space and time. This is a very Machadian book by the scope of the word ("poetry, word in time") as last time and enclosing a transformation in the landscape, nature in the poet and his world. Thus, the subjects appear fall, the train wreck of interior, the way (the way of life) with root Machado, or later as a symbol of vital exhaustion or vital space for melancholy, a suggestive announces us that Machado de Solitudes, galleries and other poems.
But this view is also observed in differentiating a willingness on the part of Rosa Romo. For example, at one point says: "Meanwhile life goes to completion. / / But it's not the river. / Is / a leaf in the river, and, perhaps, / its mark on a beach. / A useless wreck. / bit at the end. Detritus / Pass in a field. " The duality of life / Machado river reaches from Jorge Manrique and medieval songbooks is not the essence that moves the poet Algeciras, but its ultimate consequence, their sense of wreck, perhaps a trophy, loot or detritus but with meaning. It is useless existence, the writer seems to say, in its essence is something that remains and feeds. It is true that there is a life journey in the train symbolic, perhaps on that train with flask of Damaso Alonso, a train that has no end because it always returns as the theory of eternal recurrence niezschteana to its origin because it carries a light. Rosa Romo
commitment to organize a theory of existence that reaches into the title of the book its paradigm: an image, that of birds (the film retentivity is shown) which is an outward and amplificatio in: blackbirds, doves, owls, swifts ... do they seek, they crave. Be writing, ie, achieving an identity from the mystery of being called to meet us.
addresses antithetical symbols of creation, of existence in the context of its setting and its vital importance to a great linguistic containment that removes the unnecessary and concentrate on the meanings with the intention that the thrill of freedom and its correlates find their space and time. This is a very Machadian book by the scope of the word ("poetry, word in time") as last time and enclosing a transformation in the landscape, nature in the poet and his world. Thus, the subjects appear fall, the train wreck of interior, the way (the way of life) with root Machado, or later as a symbol of vital exhaustion or vital space for melancholy, a suggestive announces us that Machado de Solitudes, galleries and other poems.
But this view is also observed in differentiating a willingness on the part of Rosa Romo. For example, at one point says: "Meanwhile life goes to completion. / / But it's not the river. / Is / a leaf in the river, and, perhaps, / its mark on a beach. / A useless wreck. / bit at the end. Detritus / Pass in a field. " The duality of life / Machado river reaches from Jorge Manrique and medieval songbooks is not the essence that moves the poet Algeciras, but its ultimate consequence, their sense of wreck, perhaps a trophy, loot or detritus but with meaning. It is useless existence, the writer seems to say, in its essence is something that remains and feeds. It is true that there is a life journey in the train symbolic, perhaps on that train with flask of Damaso Alonso, a train that has no end because it always returns as the theory of eternal recurrence niezschteana to its origin because it carries a light. Rosa Romo
commitment to organize a theory of existence that reaches into the title of the book its paradigm: an image, that of birds (the film retentivity is shown) which is an outward and amplificatio in: blackbirds, doves, owls, swifts ... do they seek, they crave. Be writing, ie, achieving an identity from the mystery of being called to meet us.
Foj Felipe Candel, Rosa Romo and Lomas Morales (2006) and Going from the left forever, leaving the memory in writing or on the identity of what we are a vital concern that attacks us when we perceive the absence: "This is life. Which does not exist then. / That time only one means. / And it is also one only in passing, plus only the river that serves as support. " This language of being worldly in its delivery and the sound of the waves of life in us, our nature of birds, flight, claiming their loved today, your tomorrow, your writing ... beings caught up in the solitude, that mythology shelter and cave, this fall, always in late fall and one woman as "a woman / sitting at the shore in the fall / the deserted beach." With all the pain of the world, with all the goodness of nature around, holding the moment ... So long as a claim to continue living with the "heart open / liquid babbling this time."
The sight of it can be done through the perspective of that window that opens to the distant landscape as we get the quietude of the world in the game of the eye that sees but is seen suspended in the stillness and in certain currently fed by the grief and tears. Never escape. The poet confronts the world, known for their defeat, but that is determined by something outside, the battle can be won, but almost always lost and landed in a flying adventure (and hopes not miss), "only in space / on the infinite. / Silence of engines / eternity or Naples. " A reconnaissance flight at that altitude it has freedom. The poet is in the world and it's just him and get stations and trains, and springs and autumns. And there's a fierce battle and he knows defeat but victory was always his desire, will be, alone or in stillness broken world. We can find love, find the approach of light, heat, landscape ... but ultimately it is the word and its success as we reach: "The word, the only certainty." Our word redeems us, reaches its full and ultimate meaning of what we were.
Rosa Romo, When the birds , Hyperion, Madrid, 2010, 62 pp.
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